The story unfolds as Sayuri, a former geisha, reminisces about her childhood in Yoroido, a small Japanese fishing town. Contrary to popular belief, Sayuri did not come from a lineage of geishas. Instead, she grew up in a humble environment alongside her parents and sister.
During her childhood as Chiyo, Sayuri resided in a house perched near a cliff. The house, affected by the relentless ocean breeze, leaned at an angle, earning the nickname "tipsy house." This structural imbalance mirrors Chiyo's perception of her own life. Notably, she inherited her mother's unique translucent grey eyes, a departure from the usual dark brown.
Chiyo reveals her mother's explanation for marrying her father, stating that her mother believed she had a water-like personality while her father possessed a more practical and methodical nature due to his occupation as a fisherman. When Chiyo questioned her father about his age, he brought her to visit the graves of his previous wife and children.
Given their combination of water and wood traits, it was expected that Chiyo's parents would produce children with a balance of these elements. Thus, it came as a surprise that Chiyo took after her mother while her sister, Satsu, resembled their father.
At the age of seven, Chiyo's mother fell seriously ill, gradually growing weaker. The doctor informed Chiyo that her mother had only a few weeks left to live. This revelation marked the first time Chiyo contemplated her mother's mortality. She likened it to the uncertainty she felt about the aftermath of a destructive earthquake, wondering if life could continue in such circumstances.
One day, Chiyo's father entrusted her with the task of obtaining incense for the small Buddhist altar, the sole valuable possession in their "tipsy house." While making her way to the village store, Chiyo slipped on the slippery ground and lost consciousness. Upon awakening, she
found herself in the Japanese Coastal Seafood Company, gazing up at Mr. Tanaka Ichiro, whose family owned the company. Chiyo, even as a child, perceived Mr. Tanaka's worldly awareness, contrasting it with her father's dazed demeanor.
Mr. Tanaka initiated a conversation with Chiyo, expressing his surprise that a man like her father could have such a beautiful daughter. Although she would later be called beautiful numerous times, those words had never been uttered to her before, and for a fleeting moment, she could almost believe their truth.
On her way back home, Chiyofelt overwhelmed by conflicting emotions, causing her great agitation. She repeatedly uttered Mr. Tanaka's name, finding a melodic quality in each syllable. Despite recognizing the perceived foolishness of her actions, she attributed them to her confused state as a child.
Chapter 2 Summary
Chiyo goes swimming outdoors the next day in an attempt to take her mind off her troubles. Her sister joins her and the other children but leaves early with a boy(the son of Mr. Tanaka's assistant). Chiyo did not expect to see her sister again until dinner time, but she spots her leaning against a tree, being kissed and fondled by the boy with whom she had departed.
Suddenly, Chiyo is interrupted by a voice asking her what she is doing, and she turns to see Mr. Tanaka. Chiyo is deeply embarrassed because, as a nine-year-old with no bodily "shapes or textures"(15) to conceal, she had been swimming naked. Chiyo says that she is waiting for her sister and Mr. Tanaka starts asking about her mother's illness, also observing that her father is old. He consequently asks who takes care of her, and she replies that she takes care of herself.
Mr. Tanaka says that his childhood had been similar to Chiyo's in that his parents died when he was young and his sister had run away. He was taken in by another family when he was twelve, going on to run the family's seafood company. Addressing Chiyo, he suggests that maybe something similar could happen to her, and she reflects that he seems "the wisest and most knowledgeable man on earth"(16). She begins to fantasize about being adopted by him.
Around a week later, Chiyo comes home to find Mr. Tanaka talking with her father. Her father says that he cannot picture his daughters living
anywhere but at home, while Mr. Tanaka assures him that his own proposal would be better for all concerned. Upon seeing Chiyo, Mr. Tanaka invites her and Satsu to stay at his home overnight and meet his daughter. Chiyo's response is partly one of excitement at the thought of being adopted following her mother's death. On the other hand, she feels ashamed of such thoughts; especially when she notices her father crying.
Mr. Tanaka escorts them to his house the next day, with Satsu bearing "her usual muddled expression"(19). Chiyo has spent her life in Yoroido and, as they enter the town of Senzuru, herimpression is that it is a dirty, foul-smelling place. They then find themselves in an office of the seafood company's headquarters. To Chiyo's surprise, this office is the most beautiful room she has ever seen.
An old woman sits in the office, and Mr. Tanaka introduces her to Chiyo and Satsu. The woman notices that Chiyo is pretty and has unusual eyes, deeming her clever and attractive. However, after having made her initial observations, she instructs Chiyo and her sister to remove their clothes. They both find this distressing and confusing but do as instructed, allowing the old woman to check between their legs. She concludes that both girls are healthy and that, while Satsu has too much wood, Chiyo has plenty of water. She also reaffirms that Chiyo is much prettier than her sister.
After the old woman and Mr. Tanaka step outside, Satsu begins to cry. Chiyo then reassures her that the woman must be a fortune teller and that Mr. Tanaka is planning to adopt them. Upon hearing this, Satsu seems as though she is trying to process this information, "in the same way you might squeeze water from a sponge"(24).
Chiyo tries to fight against the emptiness she feels when contemplating leaving the "tipsy house" behind, though Mr. Tanaka's house is grander than anything she has ever seen. She also quickly becomes friends with Mr. Tanaka's daughter, Kuniko; this is the first time that she has ever met a new friend other than the children in her village. They enjoy playing in the woods, and Chiyo is delighted at the prospect of having a new sister. As she explains to the reader: "The difference between life here at the Tanakas' house and life in Yoroido was as great as the difference between the odor of something cooking and a mouthful of delicious food"(25).
After dinner, Chiyo accompanies Kuniko as she follows her father in
secret - something she does regularly. They then observe Mr. Tanaka entering a house and sitting with some other men on mats while an old man tells a bawdy anecdote. Though everyone else seems to enjoy the story, Mr. Tanaka is starring intently at a woman wearing an elegant kimono. Chiyo consequently asks what kind of place this is, and Kuniko tells her that it is a teahouse where geisha entertain. She adds that her father goes
After returning home, Chiyo noticesthat her mother's condition has worsened. She ponders what her life will be like after her mother's death and imagines that Mr. Tanaka would adopt not only her and Satsu but also their father.
One morning, Mr. Sugi, Mr. Tanaka's assistant, informs Chiyo that Mr. Tanaka wants to meet her and her sister in the village. Chiyo relays this to her father, who nods solemnly while her mother cries out in her sleep. Satsu seems unaware of the significance of this trip, but Chiyo feels a sense of fear, despite having imagined this day for weeks. As they reach the Japan Coastal Seafood Company, Chiyo senses an unexpected coldness from Mr. Tanaka, which she realizes later should have served as a warning that things wouldn't go as she had hoped.
Chiyo focuses on reaching Mr. Tanaka's house and being adopted, but during their journey, she realizes they are heading in the wrong direction. The wagon they are in stops near train tracks, where Chiyo spots the old woman they had previously encountered, whom she had nicknamed "Mrs. Fidget," and a man named Mr. Bekku, whom Chiyo finds frightening. No one answers her questions about their destination, so she constructs a scenario in her mind, believing that Mr. Tanaka was dissatisfied with Mrs. Fidget's assessment of her and Satsu and had brought them to another place for a more comprehensive fortune-telling.
Mrs. Fidget leads the two girls along the train tracks, and soon they board a train under the guidance of Mr. Bekku. Satsu asks Chiyo if she knows where they are going, but Chiyo remains clueless, and Mr. Bekku refuses to provide answers. However, when an old peasant woman inquires about their destination, Mr. Bekku responds with "Kyoto." The name fills Chiyo with worry, as it sounds as foreign to her as "Hong Kong, or even New York."
The journey lasts for hours, and as they near Kyoto, Chiyo is overwhelmed by the sheer size of the city, feeling a terrible emptiness and fear. Upon disembarking, Mr. Bekku leads them to a rickshaw, and Chiyo senses his fear that they might attempt to escape. Despite her own fear, she would rather go with him than be abandoned in this unfamiliar city. Chiyo gathers the courage to ask once again where they are going, and Mr. Bekku responds with "your new home." Hearing this, Chiyo's eyes well up with tears, but she manages to composeherself when she witnesses Mr. Bekku striking Satsu for crying.
As they navigate through the city, Chiyo feels assaulted by her senses. She encounters cars for the first time and encounters electricity only sparingly. While terrified, she also finds the experience astonishing. They turn into an alleyway lined with wooden houses, their continuous facade disorienting Chiyo.
The most distressing moment comes when the rickshaw stops, and Mr. Bekku orders Chiyo to disembark while instructing Satsu to remain behind. The two sisters share a poignant look, sensing a rare moment of mutual understanding. Chiyo feels on the verge of despair, but Satsu's attention is drawn to a doorway where a beautiful young woman dressed in an exquisite kimono stands. This woman is Hatsumomo, one of the renowned geishas in the Gion district. Chiyo cannot help but stare, but Hatsumomo refers to her as "garbage" that should be taken away.
An older woman appears and reprimands Hatsumomo for her behavior. She then takes a piece of flint and strikes itagainst Hatsumomo's back, explaining to Chiyo that this ritual is performed before geishas go out. After Hatsumomo leaves, Mr. Bekku hands Chiyo over to the older woman. Overwhelmed, Chiyo breaks down in tears as her sister departs in the rickshaw. The older woman comforts her and introduces herself as Auntie, suggesting that Chiyo call her "Mother." Auntie leads Chiyo through the courtyard, pointing out the maids' quarters and a small yet elegant house. With Chiyo's arrival, the residence now accommodates nine people. After Auntie disappears into the kitchen, a servant girl with a tongue that often curls out like a pumpkin's stem appears. Chiyo starts calling her "Pumpkin."
When Auntie returns, she washes and clothes Chiyo while explaining that Mother and Granny disliked Chiyo's predecessor, emphasizing the importance of making a good impression. She reveals that the house is an okiya, where geishas live, and suggests that if Chiyo is lucky, she
might grow up to become a geisha.
Chiyo is then introduced to Mother, initially struck by the beauty of her kimono but quickly noticing the ugliness of her face. Mother explains that she and Auntie are not biological sisters but were both adopted by Granny. Granny, old and shriveled, exudes meanness. Despite Granny's insults about Chiyo's appearance, Auntie and Mother assure her that she is clever and adaptable.
Mother warns Chiyo about the consequences of misbehavior, mentioning the possibility of beatings, and advises her to work hardand never leave the okiya without permission. Chiyo wonders if her sister is receiving similar instructions elsewhere. She imagines her ailing mother searching for her daughters. Though tempted to cry, Chiyo suppresses her tears, determined not to displease Mother.
In the early days at the okiya, Chiyo feels lost and miserable, constantly yearning to see her sister, Satsu, again. However, after a couple of weeks, she is surprised to realize that she has managed to survive. She feels disconnected from her former self and finds it hard to believe that the person drying bowls in the kitchen is actually her. Chiyo believes that if she is obedient and attends the geisha school like the other girls, she will eventually be reunited with Satsu. But her attempts to make a good impression are challenging due to her overwhelming chores and Granny's difficult nature.
During this time, Chiyo rarely encounters Hatsumomo, the renowned geisha of the okiya, but she is still afraid of her. Chiyo's room is the largest in the okiya, and she is the only geisha-in-training residing there at the moment. When Chiyo does cross paths with Hatsumomo, she is rude and taunts Chiyo about her "ugly sister," hinting that Satsu had visited the okiya with a message. Desperate for information, Chiyo pleads with Hatsumomo, who promises to reveal it once she finds a way for Chiyo to earn the privilege. When Chiyo asks Mother if anyone knows where her sister is, Mother dismisses her with indifference.
One day, Pumpkin, another girl in the okiya, shares her own story with Chiyo. Her mother passed away when she was five, and her father sent her to live with her uncle. However, her uncle lost his business, leading
Pumpkin to end up in the okiya. She reveals that her father died the previous year. Chiyo suggests that when they find Satsu, they can escape together, but Pumpkin believes she has no chance of making her own way in the world and is determined to become a geisha, even if she'd rather throw herself from a cliff.
When Chiyo and Pumpkin start attending school, Chiyo is disappointed not to find her sister there. They enroll in different classes, and one of Chiyo's classes involves playing the shamisen. Chiyo notices that Pumpkin struggles with the instrument due to her poor ear, and their unfriendly teacher adds to her nervousness. However, the dance class feels less uncomfortable.
Aftereach class, Pumpkin introduces Chiyo to the teachers. One of the teachers asks if Chiyo is from the same okiya as Pumpkin, to which Chiyo confirms, referring to it as the Nitta okiya, named after Granny, Mother, and Auntie.
During a visit to the school registry office, Chiyo witnesses Hatsumomo charm a male clerk with her flirtatious demeanor. The clerk notices Chiyo's beauty and her eyes resembling a mirror, but Hatsumomo dismisses the notion that a mirror has any color. Chiyo takes advantage of the opportunity to inquire about Satsu, but the clerk claims to have no information about her. Hatsumomo smirks, knowing that the response would be as expected, leading Chiyo to believe that her sister must be in another district of Kyoto.
Chiyo observes the elaborate process of Hatsumomo dressing up and applying her makeup. She learns that a geisha transforms physically and mentally during this ritual, becoming a geisha only through this process. When Hatsumomo asks Chiyo why she is watching, Chiyo replies that she wants to learn how to apply makeup. However, Hatsumomo asserts that no amount of makeup could make Chiyo beautiful. This remark fills Chiyo with intense jealousy and shame, as she realizes that men will gaze in awe at Hatsumomo while she remains "sweaty and plain" within the confines of the okiya.
During the process, Chiyo also discovers that Mr. Bekku, the man who brought her to the okiya, serves as Hatsumomo's dresser, assisting her
in wearing her intricate kimono. As Chiyo observes, she realizes the complexity of the dressing process and why Mr. Bekku's help is essential. Despite her envy, Chiyo acknowledges that Hatsumomo's outfit likely costs more than a shopkeeper's annual income and marvels at her otherworldly glamour.
In the okiya, Hatsumomo holds a dominant position as she earns the income that supports everyone else. It is the responsibility of the junior geisha-in-training, including Chiyo, to attend to Hatsumomo when she returns home after a night out. One night, Chiyo dozes off but wakes up when a man enters the building. Assuming he is a workman due to the late hour, Chiyo is surprised when he asks for Yoko, the woman who books Hatsumomo's engagements. Yoko, who had fallen asleep, follows the man's instructions and leaves a message for Hatsumomo. Chiyo later realizes that the message is coded.
Hatsumomo arrives twenty minutes later and warns Chiyo never to tell anyone about theman's visit. She then enters the maids' room, and Chiyo hears murmurs and groans. Hatsumomo frequently meets her boyfriend in secret, but the maids keep these encounters confidential since they don't bring in any income. Hatsumomo's relationship with the chef of a noodle restaurant wouldn't appeal to wealthy men seeking long-term relationships.
On another occasion, Hatsumomo is visited by her friend Korin, and she reveals an extravagant kimono that belongs to Mameha, a geisha whom Hatsumomo dislikes. Hatsumomo obtained the kimono after catching Mameha's maid in a compromising position and pressuring her to hand it over.
Hatsumomo hands Chiyo an inkstone and orders her to deface the kimono as an act of revenge against Mameha. Reluctantly, Chiyo follows Hatsumomo's instructions and draws on the fabric. Chiyo is then sent to return the damaged kimono to Mameha's maid, who gasps upon seeing the defacement. Chiyo catches a glimpse of Mameha and understands why Hatsumomo refers to her as "Miss Perfect."
The next morning, Mother informs Hatsumomo about Mameha's visit, and Hatsumomo pretends to be innocent while blaming Chiyo for
defacing the kimono. Mother and Auntie, aware of Hatsumomo's animosity toward Mameha, remain skeptical of Hatsumomo's story but conclude that Chiyo is responsible. Auntie questions Chiyo about Hatsumomo's vendetta, but Chiyo insists that she has done nothing wrong. Auntie advises her never to trust Hatsumomo and reveals that Chiyo now carries a significant debt due to Hatsumomo's actions. To repay the debt, Chiyo will have to work as a geisha for a long time, and Auntie warns her that failure will leave her burdened with an insurmountable debt, as Auntie herself experienced.
Auntie administers the punishment, beating Chiyo. At this point, Chiyo's situation is so dire that she no longer cares. After Auntie leaves, Hatsumomo reappears, and Chiyo reminds her of the promise to reveal Satsu's whereabouts. Surprisingly, Hatsumomo discloses the information before pushing Chiyo aside.
Determined to find her sister, Chiyo resolves to search for Satsu, even though she is confined to the okiya for fifty days as punishment for the kimono incident. During her confinement, Chiyo finds small ways to retaliate against Hatsumomo and Granny for their cruelty, such as mixing pigeon droppings in Hatsumomo's face cream.
While still restricted, Chiyo receives a request from Yoko to take Hatsumomo's shamisen to the Mizuki teahouse, where Hatsumomo must perform a song as a consequence of losing a bet. Chiyo follows Yoko's instructions and observes theteahousefrom outside, noting its exclusivity as one of the most prestigious establishments in Japan. Looking through the window, she sees Hatsumomo and reminisces about the time she peered into a teahouse with Mr. Tanaka's daughter, unaware of the dark path that awaited her after being sold into servitude.
After being released from her confinement, Chiyo focuses on finding her sister. Along the streets, she encounters older women accompanied by prostitutes, and one of them helps her locate the address provided by Hatsumomo. Inside, she meets an initially skeptical older woman who accuses Chiyo of lying about being Satsu's sister. Determined, Chiyo assures her that if she informs Satsu that Chiyo is there, she will be rewarded. Satisfied with this promise, the woman sends her companion to fetch Satsu.
When Satsu finishes attending to a customer, she is finally reunited with Chiyo. Satsu expresses her hatred for her new life and reveals her plan to run away, having stolen money and obtained a train timetable. Chiyo agrees to accompany her, although she worries about escaping from the okiya. Satsu emphasizes that they only have one chance.
Returning to the okiya, Chiyo notices movement and realizes that Hatsumomo is having another secret meeting with her boyfriend. Hatsumomo's boyfriend becomes irritated upon spotting Chiyo, while Hatsumomo attempts to appease him. She asks to see him again but reveals that his wife keeps a close watch on him. Before leaving, he tells Hatsumomo that there will come a day when he won't visit her anymore.
After her boyfriend departs, Hatsumomo berates Chiyo for disobedience and spying. Surprisingly, she declares that she would be pleased if Chiyo ran away and hands her some money to aid her escape. Despite Auntie's warning never to trust Hatsumomo, Chiyo accepts the money. However, Hatsumomo suddenly grabs Chiyo's hair and bangs on Mother's door, accusing Chiyo of stealing her jewelry to raise funds for her escape. Mother orders Hatsumomo to search Chiyo, and Chiyo realizes that she has fallen into a trap. Hatsumomo reveals the cash she had given Chiyo, which Mother takes and tucks into her robe. Mother then accuses Hatsumomo of having a boyfriend in the okiya that night, and Hatsumomo denies it. In a final act of confrontation, Mother reaches between Hatsumomo's legs, and her moist finger slaps Hatsumomo across the face.
As a result of being punished for "stealing," Chiyo's debts continue to accumulate, further fueling her determinationto escape. However, Mother keeps the front door locked, and only Auntie possesses a key. Feeling despondent, Chiyo carries out her daily chores until she realizes that she might be able to escape through the roof.
One evening, Chiyo sees Granny preparing for bed and wonders if Granny had also been sold into slavery like her, which might have made her so bitter. Chiyo wishes to avoid the same fate and takes the opportunity when the coast is clear to climb over the roof and across neighboring houses. At the end of the block, she reaches another okiya. Though hesitant about trespassing, Chiyo sees no other choice when she
accidentally drops her shoe into the courtyard, drawing attention. She tries to hold onto the roof but slips and falls, losing consciousness upon hitting the ground. While in a daze, she hears voices but is primarily concerned about missing her planned meeting with Satsu.
A maid from the neighboring okiya is sent to determine where Chiyo came from, and Auntie confronts her. Auntie furiously beats Chiyo, stating that she will never become a geisha. The next day, Mother informs Chiyo that Satsu has run away, but Chiyo struggles to feel happy for her sister. Chiyo apologizes for her escape attempt, but Mother becomes enraged, expressing a desire to sell off Chiyo's bones to repay her debts. Following the encounter, Hatsumomo appears and Chiyo tries to avoid her, but Hatsumomo remarks that she no longer needs to ruin Chiyo's life because Chiyo has already done so herself and will spend the rest of her days as a maid.
In the subsequent months, no one speaks to Chiyo unless it's to give her orders. She continues to wonder about the fate of her family and often imagines herself running away with Satsu, walking along the cliff near her childhood home. However, even in her fantasies, she never reaches the house as she fears what she may find there.
In the spring, Chiyo receives a package from Mr. Tanaka. Opening it, she learns that her mother died six weeks after she left for Gion, followed by her father a few weeks later. Satsu had briefly returned to Yoroido but ran away again with Mr. Sugi's son. Mr. Tanaka's letter expresses relief that Chiyo at least has a safe place to live and emphasizes the burden of finding one's own way for those who are beautiful and talented. Thepackage also contains Buddhist mortuary tablets for Chiyo's parents, and Chiyo asks Auntie to keep them out of sight. She had clung to the hope that her mother was still alive, so the news devastates her. Auntie insists that she remember her ancestors.
Chiyo reflects on the pivotal meeting with Mr. Tanaka, which she considers both the best and worst day of her life. She acknowledges that her life would have been simpler and more predictable had she not encountered him. Mr. Tanaka had set her on a path, but she still struggles to leave her past behind and feels lost after her parents' deaths.
As Chiyo reaches the age of twelve, she begins to attract attention with her budding womanly appearance, a new experience for her after being ignored for so long. One day, she wakes up from a dream about a bearded man whose features remain blurry to her. The dream leaves her feeling somehow changed. She remembers an incident from her first week in Kyoto when she brushed away a moth that landed on her arm. She expected it to fly away but found it dead on the floor. Chiyo hadwrapped the moth in a rag and hidden it under the house. Now, she retrieves it and unwraps it, finding the moth still beautiful and unchanged. However, when she touches it, the moth turns to ash. This realization teaches her that the past is gone and unchangeable, while she herself is still present and looking towards the future, albeit uncertain of what it holds. The bearded man in her dream had told her to look out for a sign.
Auntie interrupts Chiyo's thoughts, presenting her with some hair ornaments and instructing her to find Hatsumomo and determine their owner. Hair ornaments hold significance for geisha, and Auntie refuses to touch them, wrapping them in silk, reminiscent of the moth. Chiyo contemplates that signs are meaningless unless one knows how to interpret them.
When Chiyo returns the ornaments, Hatsumomo seizes the opportunity to insult her once again, stating that she will never become a geisha. This remark deeply affects Chiyo, not because she specifically desires to become a geisha, but because she yearns to escape her life as a maid.
Left alone, Chiyo remains lost in thought, feeling like "an abandoned island in the midst of the ocean, with no past, to be sure, but no future"(121). Her contemplation is interruptedby a man who tells her that it's "too pretty a day to be so unhappy"(121). For a moment, Chiyo feels as though she's glimpsing a different world, one where people are kind and fair. She gazes at the man's face, calm and resembling that of a Buddha, but his elegance makes her blush and look away.
The man is accompanied by two younger men and a geisha who refers to him as the "Chairman." Chiyo realizes that he cannot be a typical chairman of high standing, as he took the time to speak with her. The Chairman instructs his companions to continue while he engages in conversation with Chiyo. Noting her timidity, he deduces that someone has been cruel to her or that life itself has been unkind. He adds that kindness is scarce in the world. As Chiyo steals a glance at him, she feels
a deep sense of longing.
The Chairman then gives Chiyo a coin wrapped in a handkerchief, reminiscent of the moth once again. Grateful for this small act of kindness, Chiyo feels a newfound sense of purpose. For the first time, she envies the life of a geisha, as it would allow her to spend time with someone like the Chairman.
After the Chairman departs, Chiyo uses the coin to buy a cone of shaved ice. She has three coins left as change but decides not to use them to run away. Instead, she deposits them at the Gion Shrine and prays to become a geisha.
One morning, Chiyo notices a foul smell emanating from Granny's room and realizes something is amiss. It is revealed that Granny has died due to an electric shock from a faulty heater. Following the tragedy, many people come to pay their respects, including Mameha, the geisha whose kimono Hatsumomo had ruined. Fortunately, Mameha does not mention the incident.
After the funeral, Auntie moves into Granny's room, and Pumpkin begins her training in the arts necessary to become a geisha. Pumpkin is kind-hearted but a slow learner. Meanwhile, Chiyo continues to pray for the Chairman to bring about a change in her life.
A month later, Mameha's maid visits the okiya and instructs Chiyo to meet her the following day. Though she doesn't reveal the reason, Chiyo obeys and follows the maid to Mameha's apartment. Mameha assures Chiyo that she won't scold her and acknowledges Hatsumomo's spiteful nature. Chiyo apologizes for the ruinedkimono, but Mameha suggests they put the incident behind them. She wants to know why Chiyo is no longer training to be a geisha, and Chiyo explains the debts she has accumulated.
Mameha asks if Chiyo has attempted to run away, and Chiyo admits that she has, expressing a desire to undo her mistakes. Mameha notices that Chiyo has a watery personality, making it difficult for her to wait patiently. However, she also points out the strength and versatility of water, which Chiyo has yet to tap into fully. Chiyo compares herself to a river blocked by a dam, but Mameha suggests that a powerful river can
wash away a dam.
Chiyo suspects that Mameha may be using her as a means of getting back at Hatsumomo, but Mameha clarifies that nothing will change unless Chiyo is allowed to resume her training. She advises Chiyo to focus on finding the opportune time to do so, emphasizing the significance of timing and finding the right circumstances. Mameha asks if Chiyo has consulted her almanac, to which Chiyo replies negatively. Mameha inquires about the date Chiyo and Satsu had planned to run away, and after consulting her almanac, she concludes that it was an inauspicious day for someone with Chiyo's zodiac sign.
Although some people doubt the accuracy of fortune-telling, Chiyo becomes convinced when Mameha checks Satsu's sign and reveals that the date in question was deemed "a good day for travel in the direction of the Sheep"(141). Looking at a map, Chiyo realizes that Yoroido lies north-northeast of Kyoto, corresponding to the Sheep zodiac sign. This revelation indicates that Satsu must have consulted her almanac.
This newfound knowledge makes Chiyo recognize her own previous ignorance and the limited power humans have within the grand scheme of the universe. She resolves that one can only strive to understand the movement of the universe and align their actions with its currents rather than fighting against them.
Before sending Chiyo back to the okiya, Mameha provides her with various suitable dates for significant changes and instructs her to keep their meeting a secret.
Mameha explains to Chiyo the system of geisha mentorship, where an experienced geisha becomes an older sister or mentor to an apprentice geisha through a special ceremony. The apprentice geisha has little say in choosing her older sister, while the experienced geisha avoids taking on a bad investment like Chiyo, as perceived by Mother. Initially,Mother may have intended for Hatsumomo to be Chiyo's older sister, but Hatsumomo's envy and taunting have made this impossible. Additionally, any geisha who becomes Chiyo's older sister would have to interact with Hatsumomo, which is not an appealing prospect.
Several weeks after their initial meeting, Mameha visits Chiyo's okiya
and informs Mother of her interest in becoming Chiyo's older sister. Mother is shocked because Chiyo is out of practice and considered a bad investment, but she agrees to the arrangement, recognizing that Mameha must have her reasons. They negotiate the financial terms before reaching a suitable agreement.
Chiyo believes that Mameha's main motive is to harm Hatsumomo, but she keeps this opinion to herself. Hatsumomo, however, arrives at the same conclusion and accuses Mameha of envying her beauty and trying to use "Little Miss Stupid"(referring to Chiyo) against her. Hatsumomo asserts that Mameha cannot make Chiyo a more successful geisha than Pumpkin, and Mother expresses surprise that these two "useless girls" are now engaged in a battle with the assistance of Gion's most prominent geishas.
The following day, Mameha summons Chiyo to her apartment and explains that she has made a bet with Mother, confident in her ability to succeed. She warns Chiyo about disobedience and imposes strict terms on her. Mameha emphasizes that Chiyo should be cautious of Hatsumomo and avoid accumulating further debt.
Chiyo resumes her training and feels as if she is starting from scratch. She emphasizes to the reader that "geisha" means "artisan," and apprentice geishas learn various skills such as playing instruments, singing, dancing, and cultivating proper comportment. The tea ceremony holds particular significance in their training, as it is not just about serving tea but is also akin to a dance or meditation conducted while kneeling.
Chiyo explains that training becomes challenging due to the hectic nature of life outside her education. In addition to attending morning lessons, an apprentice geisha is expected to work during the afternoon and evening, often getting only three to five hours of sleep each night.
Chiyo and Pumpkin enjoy studying together at the okiya, but Hatsumomo intervenes one day and insists that Pumpkin should have no association with Chiyo. Chiyo confides in Mameha about the difficulties of living with Hatsumomo in the okiya, and Mameha advises her to become a successful geisha and drive Hatsumomo out. Mameha
explains that her own luxurious lifestyle is largely attributed to having a wealthy danna,a long-term patron. Top geishas avoid casual affairs but can enter into more formal arrangements with the right kind of man. Hatsumomo's misbehavior has hindered her chances of securing a danna, forcing her to remain in the okiya.
Mameha informs Chiyo that she will be an apprentice until the age of eighteen, by which time she will need to find a danna to pay off her debts. Mameha's role is to ensure that Chiyo becomes well-known in Gion by that time. She also emphasizes dance as the most revered art form among geishas. Hatsumomo attempts to sabotage Chiyo's dance lessons and initially succeeds, but Chiyo's determination and her memories ofthe Chairman motivate her. As she dances, she imagines the Chairman watching her, infusing her movements with deep emotion and meaning, as each dance step represents a small interaction.
Pumpkin's debut as an apprentice geisha, becoming Hatsumomo's sister, fills Chiyo with jealousy. Mameha returns after a six-month absence and focuses on teaching Chiyo the proper way to walk and greet people on the street. Chiyo hopes that Mameha will declare her ready to begin her apprenticeship, but as spring and summer pass, it becomes apparent that Mameha is delaying her debut to attract attention. Mameha runs errands with Chiyo so that people will see her, and she consults a fortune teller who selects a date in November for Chiyo's debut. Mameha also emphasizes the importance of eye contact with men and instructs Chiyo to make a delivery boy drop his tray using only her eyes. Successfully accomplishing this task, Chiyo realizes that she may be as ready as she will ever be. The fortune teller then helps determine suitable dates for the events leading up to Chiyo's debut.
The anticipation of her upcoming debut fills Chiyo with excitement, making it difficult for her to sleep. At only fourteen years old, she feels like she has lived two lives. The weight of her family's circumstances initially burdened her, but now a new future seems possible.
The preparations for Chiyo's debut as a geisha are physically exhausting. Adjusting to her new hairstyle proves challenging, as lying down would flatten it, forcing her to adopt a different sleeping position. The geisha outfit she wears is heavy, and Auntie advises her to wear it around the okiya to build her strength.
On the day of the ceremony, Chiyo catches a glimpse of her reflection and feelsas if she is looking at a different person. Overwhelmed, tears well up in her eyes. In her eyes, she is now someone to be taken seriously - a young woman, no longer a girl. The ceremony takes place at a prestigious teahouse, and upon its completion, Chiyo officially becomes the novice geisha known as Sayuri, a name chosen by Mameha in consultation with her fortune teller. Sayuri finds the name lovely but also strange, as she is no longer addressed as Chiyo.
As part of her training, Mameha instructs Sayuri on the proper way to pour a cup of tea. The contents of the teapot do not matter; Mameha simply wants to observe Sayuri's etiquette. Mameha explains that the manner of pouring tea should differ depending on whether the recipient is male or female, with a subtle movement of the wrist captivating men but appearing unseemly and potentially stirring envy in women.
Mameha takes Sayuri to various okiyas and teahouses in Gion to make official introductions. They attend a banquet where Sayuri's role is primarily to shadow Mameha. While the event is not particularly exciting, Sayuri is captivated by a dance performance by Mameha and another geisha. Lastly, they attend an informal party at a teahouse and are shocked to encounter Hatsumomo and Pumpkin.
Hatsumomo claims that running into Mameha and Sayuri is a coincidence, but in reality, she has been spreading false and defamatory stories about Sayuri. Hatsumomo proceeds to share one of these stories with the people present at the teahouse. Mameha and Sayuri repeatedly encounter Hatsumomo at different teahouses, and Sayuri realizes that Hatsumomo has been bribing maids to find out where they will be. Due to Hatsumomo's constant presence, Mameha decides it is futile to continue attending such engagements until they come up with a plan. However, Mameha occasionally takes Sayurito events outside of Gion and introduces her to her danna, Baron Matsunaga Tsuneyoshi. Sayuri
feels nervous and clumsy in his presence, questioning whether she is truly capable of entertaining such high-status men. Despite the beautiful silk garments adorning her, she experiences a bittersweet melancholy, realizing that beauty carries its own burdens.
Contrary to Mameha's prediction, Pumpkin becomes one of the most well-known apprentices in Gion. She earned the highest income in the okiya the previous month. However, Mameha explains to Sayuri that Hatsumomo and Pumpkin's success will have consequences. Hatsumomo had Pumpkin leave partiesearly, allowing patrons to pay the same amount for a short time with Pumpkin as they would have paid for a full hour. This approach damages their reputation and is likely to backfire in the long run. Hatsumomo's ultimate goal is for Mother to adopt Pumpkin, securing her own future.
Mameha later informs Sayuri that they will be attending a sumo exhibition where Hatsumomo will not be able to find them. At the event, Sayuri spots a man in the audience who she initially mistakes for Mr. Tanaka but soon realizes is the Chairman.
Mameha introduces Sayuri to the Chairman, whose name is Iwamura Ken, the founder of Iwamura Electric, and his business partner and company president, Nobu. The Chairman asks Sayuri about sumo, but Nobu insists that if she wants to know anything, she should talk to him instead. Although Sayuri prefers to engage with the Chairman, she follows Nobu's instructions.
After an hour, Sayuri is shocked to see Hatsumomo in the audience. Mameha deduces that Korin must have informed Hatsumomo of their location. Mameha devises a plan: Hatsumomo dislikes Nobu and takes pleasure in seeing Sayuri charmed by him. If anything, Hatsumomo wants Sayuri to remain in Gion for her own amusement. Sayuri follows the plan, imagining Nobu as the Chairman, and Hatsumomo appears amused, unknowingly thrown off balance. Mameha hints at another plan that depends on the attention of Nobu and another man whom Sayuri
has yet to meet. Disappointed, Sayuri's dreams revolve solely around the Chairman.
Now aware of the Chairman's identity, Sayuri searches for articles about him and realizes that Iwamura Electric is a reputable company. She also discovers the close partnership between the Chairman and Nobu, which seems fitting.
Several weeks later, Mameha summons Sayuri to her apartment and reveals that she will meet the unnamed man who will play a significant role in her future. The plan involves intentionally cutting Sayuri's leg, which makes her anxious. Mameha instructs the cook to make an incision that will require a visit to the doctor. Sayuri becomes dazed upon seeing the blood, but Mameha insists that she must make a good impression at the hospital.
At the hospital, Sayuri pretends to have lost her balance and injured her leg. The doctor, whom Sayuri nicknames "Doctor Crab," treats her wound. In a conversation with Mameha, the doctor suggests meeting them at the Ichiriki Teahouse. Mameha explains that Sayuri alreadyhas numerous admirers, which is why they have been avoiding that teahouse. Instead, she suggests meeting at the Shirae Teahouse, and the doctor agrees.
On their way back from the hospital, Mameha notices the striking appearance of Sayuri's eyes. They visit the studio of artist Uchida Kosaburo to calm him down after a mishap with a cat and a painting. Sayuri's hands catch the sunset light, captivating Uchida. Sayuri reveals that this sight inspired his famous ink painting of a young woman in a kimono, standing in a rapturous state with glowing eyes.
Weeks pass without any communication from their male contacts, causing Mameha and Sayuri to worry. However, one morning, Iwamura Electric calls and requests their company. Sayuri receives multiple invitations to the teahouse in the following weeks, but Mameha advises her not to stay for too long to maintain an appearance of popularity and
other engagements. Hatsumomo often hints that she might stop by, but she only does so unexpectedly one afternoon.
During Hatsumomo's visit, Sayuri puts on a show to observe her interaction with Nobu. She successfully pretends to be captivated by Nobu, concealing her true feelings for the Chairman. Satisfied with the performance, Hatsumomo leaves.
Several months go by without any word from Uchida. It turns out that he fell into drinking after his cat's death. Mameha sends Sayuri to his studio with a kitten as a gift, hoping to bring him out of his slump. However, Uchida becomes more interested in Sayuri and asks her to be his model. Sayuri feels uncomfortable in this role, and Uchida's dissatisfaction leads him to isolate himself and start drinking again.
In late February, Mameha learns that Dr. Crab has been occupied with the opening of a hospital but now has time to meet them at the Shirae Teahouse.
In mid-March, Hatsumomo informs Sayuri that the German Ambassador is visiting town and that Pumpkin is unavailable to entertain him. Hatsumomo suggests that Sayuri take Pumpkin's place, seemingly as a joke. Sayuri knows she should feel ashamed at the suggestion, but she believes her prospects have improved and looks back at Hatsumomo with a masked expression. Hatsumomo gives her an odd look, and Sayuri realizes she should have realized something was on Hatsumomo's mind.
A few days later, Mameha and Sayuri arrive at the Shirae Teahouse, coincidentally encountering Hatsumomo and Pumpkin leaving. However, Dr. Crab's demeanor has changed, and he expresses his displeasure at beingmisled. He leaves without explaining further. Mameha instructs Sayuri to find out the truth from Pumpkin. When Sayuri asks Mameha about her overall plan, Mameha reveals that the Doctor's interest in Sayuri stems from his preference for young virgins. This interest is valuable as it could lead to a bidding war between Nobu and the Doctor. Without the Doctor's interest, Nobu could acquire Sayuri for a lower price. Sayuri pretends not to be hurt by Mameha's remark about Nobu's intentions.
Sayuri's conversation with Mameha changes her perspective on the
world, as she now understands what men like the Doctor expect in return for their time and money in Gion. She realizes that once she knows this truth, she can never return to her previous naivety.
Sayuri finds Pumpkin distressed and learns that Hatsumomo had discovered Mameha's scheme through Sayuri's calm reaction to her comment about the ambassador. Hatsumomo visited the registry office to find out where Sayuri had been billing, leading her to discover Sayuri's visit to the Shirae Teahouse. Hatsumomo, knowing the Doctor's preference for virgins, told him that Sayuri was not one, causing his annoyance.
However, Pumpkin shares good news that Mother has agreed to adopt her. Sayuri is happy for Pumpkin but also aware that Mameha had hoped Mother would adopt her own apprentice instead. Sayuri informs Mameha about what she has learned, and Mameha predicts a window of a few months before the adoption takes place. Mameha decides it's time forSayuri to offer her virginity, or mizuage, to both Nobu and the Doctor. This is done formally by presenting them with ekubo, a type of rice cake. Nobu accepts his box of ekubo, but the Doctor is hesitant due to concerns about being deceived. Eventually, he takes the offering.
In Gion, a production of Dances of the Old Capital is held each spring, and competition for roles is intense. Sayuri has spent numerous evenings practicing dance in the okiya and has become skilled in this art. When another apprentice gets injured, Sayuri is given a solo role in the production. Hatsumomo is furious when she learns of this, but Mameha is unfazed and declares that it's time to "toss Hatsumomo from the ring."
Mameha convinces the Baron to host a party and invites both Nobu and the Doctor, seeing an opportunity for a bidding war over Sayuri. At the party, the Doctor becomes fixated on Sayuri's thighlaceration, which occurred several months ago. Sayuri realizes that he is fantasizing about her body and plays along, feeling a mix of disgust and fascination. Their conversation is interrupted by the Baron, who drunkenly expresses his desire to see what lies under a woman's kimono. Mameha tries to stop him, but he persists, suggesting that everyone at the party would pay to see Sayuri bathe. Nobu rescues Sayuri by asking her to accompany him
to the restroom.
After most guests have left, the Baron discusses an upcoming blossom-viewing event with Mameha, who informs him that she has a doctor's appointment and cannot attend. The Baron seems confused and makes an inappropriate comment about an abortion, creating an awkward silence. He then mentions that Sayuri must attend the event instead, but Mameha privately warns Sayuri to be cautious, as an apprentice nearing her mizuage is like a meal on the table that no man wants if someone else has already taken a bite.
While waiting at the train station for the blossom-viewing event, Sayuri feels a sense of sorrow, as it reminds her of her family and life outside of Gion. At the party, the Baron instructs Sayuri to walk around so that everyone can admire her beauty. During her stroll, Sayuri spots the Chairman and engages in conversation with him, feeling self-conscious yet grateful for his presence. Before leaving, the Chairman advises Sayuri to be cautious around the Baron, who has something he wants to give her.
Shortly after their conversation, the Baron appears in a dressing robe and instructs Sayuri to accompany him to his quarters. Despite feeling inclined to decline, Sayuri is in a state of shock and unable to think clearly. The Baron presents her with a kimono as a gift and urges her to try it on in his presence. Though she wishes there was a way out, the Baron's authority and previous kindness make her feel powerless and without a choice.
Sayuri avoids looking at herself in the mirror as the Baron undresses her. Whenever she tries to resist his advances, he forcefully pushes her hands away, claiming he only wants to look. With tears in her eyes, Sayuri catches a glimpse of her own vulnerability and nakedness, feeling exposed like never before. As the Baron's actions become more intimate, Sayuri's tears blur her vision in the mirror. Overwhelmed with emotions, she cannot help but cry.
Afterward, theBaron silently helps Sayuri put on her kimono. She feels a deep sense of guilt and wrongdoing. Wiping her face, she returns to the inn where she is staying, and Mr. Itchoda, Mameha's dresser, notices
her distress. He asks if the Baron undressed and looked at her, and Sayuri confirms his assumption. Mr. Itchoda's response is a simple "That's fine, then," and they say no more about the matter.
The next morning, Sayuri returns to Kyoto train station and is immediately struck by the sight of posters promoting the Dances of the Old Capital featuring a drawing of herself by Uchida. She anticipates receiving congratulations from others, but instead, many women behave aloof and unpleasant towards her. Unable to shake off the image of the girl in the poster being undressed by an older man in front of a mirror, Sayuri wonders if Mr. Itchoda has informed Mameha about what transpired at the Baron's party, although Mameha remains silent on the matter.
Two weeks later, both Mameha and Sayuri participate in the Dances of the Old Capital. Sayuri finds herself entranced by Mameha's exquisite dancing and flawlessly performs her own role. After leaving the theater one evening, Nobu appears from a nearby car and presents Sayuri with a gift. Opening it, she discovers a ruby, and Mameha instructs her to give it to Mother while being exceptionally sweet and subservient. Despite her reservations about Mother's character, Sayuri follows Mameha's guidance and offers the jewel to her.
A few days pass, and Mameha informs Sayuri that bidding for her mizuage - the auctioning of her virginity - has begun. However, Mameha will be away in Tokyo during this period and reassures Sayuri that she won't be needed. Mameha departs for three days, and on the third day, Mother summons Sayuri to a room in the okiya. There, a young doctor examines Sayuri and confirms that her hymen is still intact.
After dressing, Mother abruptly grabs Sayuri and hisses that it is fortunate nothing untoward occurred during the examination. She warns Sayuri against attempting to deceive the okiya but acknowledges that Sayuri has done nothing to warrant punishment. Mother then reveals that Sayuri's status at the okiya is about to change as she is going to be adopted. Sayuri realizes that this adoption will mark the end of Hatsumomo's oppressive reign and recognizes that it was Mameha's plan all along.
As Hatsumomo overhears this conversation,she becomes shocked and furious to learn that Mother has chosen to adopt Sayuri instead of Pumpkin. Mother denies ever mentioning that she would adopt Pumpkin and claims that she has planned to adopt Sayuri for at least a year. Mother looks to Sayuri for confirmation, but unwilling to become like Mother, Sayuri evades the question by stating that she cannot remember. Hatsumomo storms out in anger, leaving Sayuri feeling sympathy for Pumpkin. She suggests to Mother that they could both be adopted, but Mother cautions Sayuri not to interfere.
Mameha claims to be happy about Sayuri's adoption, but Sayuri notices that her response seemed muted; years later, Sayuri finds out that the final bidding war had been between Dr. Crab and the Baron, rather than Dr. Crab and Nobu. In the end, Dr. Crab had agreed to pay what was at the time the highest amount ever paid for a mizuage in Gion. Naturally, Mother is now especially keen to adopt Sayuri, and the ceremony takes place the following week.
Sayuri's mizuage occurs when she is fifteen years old, and it begins with a ceremony in which she and Dr. Crab drink sake. Sayuri is then taken to a room in an inn, and Dr. Crab tells her to remove her clothing and lie down on a futon while he spreads out a towel to absorb her blood. He informs her that this is the second time that he will take a specimen of her blood, as he kept the cotton swab from the time she cut her leg. Sayuri notices other vials labeled with the name of various geisha; including Mameha.
As the Doctor lowers himself onto her, Sayuri feels no pleasure and tries to put up a mental barrier. Once he has finished, he cuts off a piece of the towel and puts it in a vial before going to take a bath. Now that it is over, Sayuri's relief prompts her to smile and think of the absurdity of the situation - that the course of her future had been altered by this.
The world looks different to Sayuri after her mizuage; she now feels more mature and worldly in contrast to girls who have not gone through this process. We learn that an apprentice's status is signaled by her hairstyle, and that an apprentice wears a red silk band after mizuage. Not only does Sayuri seethe world differently, Mother now treats her with more respect and prevents Hatsumomo from making trouble.
Dr. Crab disappears almost completely now that the mizuage is over, but one man Sayuri is keen to see again is the Chairman. Happily, Iwamura Electric calls to request her company and she spends an evening with him and Nobu.
A month or so later, Sayuri is poised to attend a large party that Iwamura Electric has planned. However, shortly before the party, she receives a message stating that she will not be needed. She is under the impression that the party has been cancelled but, when she goes to the Ichiriki teahouse that night, she hears the sound of the Chairman's laughter emanating from a banquet room. She asks a nearby geisha if she has just come from the party given by Iwamura Electric, and the geisha says that she has; however, she says that Nobu was not present, as he had gone home sick that morning.
Sayuri had previously imagined that the Chairman valued her company, but now she wonders if it is only Nobu who cares.
Mameha, even after winning her bet with Mother, remains invested in Sayuri's future and endeavors to introduce her to her own top clients and other geisha. However, Sayuri finds that most parties are dull and lacking in interesting conversation, highlighting that being raised as a geisha does not guarantee intelligence or engaging personalities in girls. The men attending the parties are also not guaranteed to be captivating.
At the age of eighteen, Sayuri undergoes the transition to becoming a full geisha, symbolized by the ceremonial exchange of her red apprentice collar for a white geisha collar. Mother finds great joy in this day, but only because she anticipates more financial gains. Fully qualified geishas are sought after for purposes beyond serving tea, as long as the terms of their services are agreeable.
Years later, while living in New York, Sayuri realizes that Western women often misconstrue geishas as prostitutes. She notes that some of these women rely on wealthy older men themselves.
To become a star geisha, it is necessary to acquire a danna, a patron who provides financial support. Mother informs Sayuri that Nobu is expected to become her danna the following month. Sayuri acknowledges that this seems like an obvious development and she
harbors no ill feelings toward Nobu, but she had hoped for morethan just kindness. She attempts to discuss her desires for genuine love with Mameha, but Mameha dismisses such aspirations as futile, emphasizing that women become geishas out of necessity, not personal fulfillment.
Sayuri feels despondent attending numerous parties where she is surrounded by older men. The only parties that carry any sense of purpose are military gatherings, as they make her realize the insignificance of her own suffering in comparison to the devastation caused by war.
Since Sayuri's earnings will increase once she acquires a danna, and Mother is likely to be protective of that money, Mameha decides it is time to collect what she is owed from the previous bet. Mother attempts to lie about Sayuri's earnings and the terms of the bet, seeking support from Sayuri. Sayuri finds herself in an uncomfortable position but cannot side with Mother against Mameha. She reiterates the original terms of the bet, supported by Mameha's accountant's records. As a result, Mother is compelled to concede the terms, and the matter is temporarily resolved.
During a conversation about Nobu becoming Sayuri's danna, Mameha suggests that another man has expressed interest in Sayuri. Sayuri begins to realize that Mameha is attempting to rescue her from Nobu for some reason. The other potential danna is General Tottori Junnosuke, recently appointed to oversee military procurement, a role that could benefit the okiya. Mother initially dismisses the idea, but Mameha argues that no one else could provide them with everything they may need, especially in times of potential shortages during war.
Mameha's suggestion leads Mother to consider the proposition and make inquiries. Meanwhile, Mameha continues to see Nobu, but negotiations appear to be stalling, and Nobu grows increasingly frustrated.
Sayuri becomes the General's danna in a ceremony held in September. After the ceremony, the General takes Sayuri to an inn, and she reflects on how she felt during her mizuage. However, this time, she doesn't feel terror but rather a vague queasiness. Over time, this queasiness fades,
and her encounters with the General become routine and unpleasant.
During this period, a young man named Yasuda Akira starts visiting Gion, and Sayuri finds herself drawn to him, sensing a similar dignity in him as she does in the Chairman. They first meet at a banquet, and Yasuda confesses that he can't take his eyes off Sayuri. They begin meeting regularly, and one night, when they are alone, Yasuda kisses Sayuri's wrist. Sheinvites him to meet her at the teahouse at midnight, and their experience together feels entirely different from her encounters with the Doctor or the General.
Although many geishas' lives change significantly after acquiring a danna, Sayuri's life remains largely unchanged. However, the General's alliance with the okiya proves valuable to Mother, as he covers many expenses. On the other hand, Nobu stops inviting Sayuri to parties, and she feels as though she has wronged someone who has been kind to her.
In March, Sayuri attends a party where she encounters the Chairman. She mentions her strained relationship with Nobu, and the Chairman emphasizes the value of friendship, urging her not to throw it away.
Reflecting on this conversation in the following weeks, Sayuri encounters a young apprentice who has heard about her past friendship with Nobu. The apprentice reveals that Nobu has requested her presence but has treated her cruelly, comparing her unfavorably to Sayuri. Sayuri offers the apprentice advice on how to entertain Nobu but becomes determined to see him herself, now aware of his whereabouts.
When Sayuri confronts Nobu one evening, she asks why he is angry with her. He reveals that he knows the identity of her danna and expresses his lack of admiration for the General, causing him to lose respect for Sayuri. Sayuri explains that she has no choice in her danna, but Nobu tells her that she has a duty to use whatever influence she has if she doesn't want to drift through life aimlessly.
This conversation upsets Sayuri, and Nobu admits that he often forgets she is still a young girl. She expresses her perceived inability to meet his expectations, but he clarifies that he simply expects her to navigate life with her eyes open. After their talk, Sayuri hopes to see Nobu again, but he informs her that he will not be inviting her to any future events.
Mother surprises Sayuri one day by calling her into her room and revealing that Sayuri has earned more money than Hatsumomo and Pumpkin combined in the last six months. Mother decides that Sayuri should move into the largest room in the okiya. Despite this, Sayuri remains wary of Hatsumomo, seeing her as a potential threat. Her wariness proves valid when she catches Hatsumomo snooping through her diary. While Sayuri hasn't recorded all her actions, she has documented her thoughts and feelings, trying to conceal the identities ofthe people mentioned. However, Hatsumomo easily deduces their identities.
Hatsumomo takes the diary to her own room, and Sayuri follows her, noticing the brooch Hatsumomo falsely accused her of stealing years ago. Initially dismissive, Hatsumomo's demeanor changes when Sayuri holds up the brooch. Sayuri picks up her diary in a daze.
Sayuri instinctively wants to go to Mother with the brooch, butshe worries about the diary. Instead, she hides the diary in a spot where no one would think to look and then presents the brooch to Mother, informing her that she found it in Hatsumomo's room. Hatsumomo counters by claiming she found it hidden in Sayuri's makeup stand. Hatsumomo also reveals the existence of Sayuri's diary and insists on fetching it. However, Sayuri realizes that Hatsumomo has lost the leverage she once held.
Unable to locate the diary, Hatsumomo faces the consequence of repaying the money Sayuri had been forced to pay as punishment for the false accusation of theft. Hatsumomo glares at Sayuri, and they become equals in that moment. Hatsumomo knows that Mother will no longer support her, while Sayuri sees Hatsumomo as someone afflicted by a character defect.
Following this turning point, Mameha suggests they continue making Hatsumomo's life difficult by following her and spreading rumors, further damaging her reputation. Hatsumomo's temper becomes increasingly volatile, and she even becomes violent toward one of the men she is meant to entertain. Although the situation is calmed by the teahouse's mistress, Hatsumomo's reputation is irreparably damaged, and Mother forces her to leave the okiya. In the years that follow, Sayuri hears rumors that Hatsumomo has become a prostitute and speculates that she may have succumbed to a tragic fate due to excessive drinking.
Hatsumomo's absence is deeply felt by Sayuri and the other maids in
the okiya, particularly Pumpkin, who seems lost without her. Sayuri often reminisces about Hatsumomo, recalling her smirks and malicious lies.
During the Great Depression and World War II, the people in Gion, including geisha, do not suffer as severely as those in other parts of the country. This is because the mistresses of powerful men receive good fortune that is passed on to others. As Mameha had predicted, General Tottori proves to be a valuable ally. However, in December 1942, a military policeman arrives at the okiya, announcing that the General has been taken into custody. Within a week, the okiya loses all its benefits, and thereis concern that the geisha districts may be shut down by the military government. This would force many geisha to seek work in factories.
In January, the closure of the geisha districts is officially announced, causing panic among the geisha who desperately seek help from the men in their lives. Sayuri realizes she is not the only geisha who knows the General, so she rushes to find him before anyone else. She discovers him in a state of suffering at the inn where they used to meet. He informs Sayuri that various geisha have already visited him and that he is powerless. He advises her to find someone who can protect her from the military if she wants to survive.
Mameha is also in a state of panic, unable to reach the Baron or other potential helpers. Sayuri, who has been out of touch with Nobu for four years, believes she has no one to turn to. However, she unexpectedly finds Nobu at the Ichiriki teahouse. Nobu expresses his disappointment in Sayuri for her involvement with the General. Sayuri clarifies that he is no longer her danna, and Nobu points out that the General failed to conserve his influence for her.
Nobu offers to save Sayuri from factory work but demands that she admit her wrongdoing. She complies, and Nobu emphasizes the importance of understanding where her destiny lies. Sayuri mentions that her destiny lies with the man who runs Iwamura Electric, which Nobu assumes refers to himself. However, Sayuri is actually thinking of the Chairman. Nobu informs her that he has arranged for her to live with a kimono maker named Arashino Isamu. Kimono makers have been
assigned to sew parachutes, and Nobu believes this is a task she can quickly learn. Once again, Sayuri feels uprooted as her life takes another unexpected turn.
Sayuri feels deeply indebted during her time with the Arashino family, especially as she learns that another geisha has been killed in the firebombing of Tokyo. She realizes that survival during wartime is unpredictable. Mameha survives and works in a hospital, and Pumpkin is fortunate as the factory where she works has been bombed multiple times. The Baron survives as well, but he later takes his own life during the Allied Occupation. Sayuri believes that Mother will survive, and she herself becomes involved in the gray market, gaining wealth rather than losing it.
Although the Arashino family treatsSayuri kindly, she becomes thin to the point that her former acquaintances wouldn't recognize her. She wonders about her sister's fate and realizes that the war has made their reunion impossible. Sayuri reflects that adversity reveals one's true self and strips away superficialities. She recognizes that her life as a geisha had lacked complexity, revolving solely around winning the Chairman's affection, despite his never acknowledging their initial encounter.
One day, while running an errand, Sayuri narrowly avoids being hit by a truck. Consulting her almanac, she realizes it was a bad day for travel in that direction. She recognizes that she has been focused solely on signs related to the Chairman and neglecting other aspects of her life. However,she still feels a deep emptiness without thoughts of the Chairman.
As the war comes to an end in 1945, foreign troops begin to arrive in Japan. Sayuri observes that her appearance is no longer striking to them; she is just another peasant in their eyes. Within a year of surrender, Mr. Arashino resumes his kimono-making business, and Sayuri spends her days in the workshop. However, the work takes a toll on her hands, leaving them stained and peeling from the dyes. As a respite, Mr. Arashino assigns her the task of gathering spiderworts, a flower used for painting silk. Sayuri is relieved to return to boiling dyes.
Although Sayuri thinks of Gion every night, she can only return when
summoned by Mother. Mother and Auntie continue to live on a farm where they have set up a shop and are making a good living. Sayuri is just a few kilometers away from Gion, but in the five years she has been away, she has visited only once and finds it unrecognizable, filled with "ghostly memories."
Three years after the war, Nobu pays a visit to Sayuri. He informs her that Mameha has returned to Gion over a year ago, expressing surprise that Sayuri hasn't returned as well. Sayuri explains that she has been waiting to be summoned. Nobu instructs her to contact Mother to indicate that the time has come. He also gives her a piece of rubble from his factory, promising to replace it with a jewel once his company is back on its feet. Sayuri feels a chill upon hearing this, as the jewel would signify that he has become her danna, but she conceals her reaction.
Nobu reveals that he wants Sayuri toreturn to Gion to entertain a man named Sato, whom Nobu dislikes. Sato has been appointed Deputy Minister of Finance, and the success of Iwamura Electric depends on their connection. During her years away, Sayuri often questioned if she would ever return, but now she sees it as her destiny. Her hopes, which she had suspended, are reawakened as she prepares to return to Gion.
Sayuri writes a letter to Mother on the same night as Nobu's visit, informing her of her imminent return to Gion. A week later, Auntie arrives to escort Sayuri back to the okiya. Upon their arrival, they find the okiya in a neglected state, but they work hard to restore it to its former condition. After about a week, Sayuri makes her reappearance as a geisha.
During a visit to the Ichiriki teahouse, Sayuri is greeted by Nobu and Sato. They engage in a drinking game, and Sato becomes heavily intoxicated, eventually vomiting and collapsing. Despite this, Nobu manages to revive him.
Nobu informs Sayuri that they will meet again the following week and suggests that Mameha join them. However, Sayuri expresses the desire for another guest, such as the Chairman. This suggestion is driven by her personal motives, as she still harbors hopes of encountering the Chairman again, even though her destiny seems to align with Nobu.
Oblivious to her underlying intentions, Nobu agrees to invite the Chairman.
Later that night, Sayuri visits Mameha and shares her experience with Sato and Nobu. She mentions that she requested Nobu to invite the Chairman next time, which would require another geisha to create a lively atmosphere. Mameha surprises Sayuri by offering to join them, despite not being known for her boisterousness. Sensing Sayuri's surprise, Mameha suggests Pumpkin as an alternative.
Sayuri has frequently thought about Pumpkin since her return to Gion, but she is aware of the rift that developed between them due to Hatsumomo's actions. Curious about Pumpkin's current situation, Sayuri asks Auntie about her, and Auntie reveals that she now resides in another okiya and that Mother has no desire to see her.
Sayuri pays a visit to Pumpkin but finds her distant and formal. Pumpkin appears thin, and unbeknownst to Sayuri, she has been working as a prostitute. When Sayuri expresses her desire for Pumpkin's company at an upcoming social engagement, Pumpkin responds cynically, suspecting ulterior motives. Sayuri reassures her that she genuinely wishes to rekindle theirfriendship and looks forward to seeing her at the teahouse.
In the years since Sayuri last saw the Chairman, she has kept herself updated on his efforts to save his company. As she visits the teahouse once again, her desperation to see him resurfaces. The Chairman engages in a conversation about adversity, discussing the importance of envisioning one's dreams coming true to bear hardship. However, their conversation is interrupted when Mameha and Pumpkin enter the room. Nobu and Minister Sato join them shortly after, and they all begin playing games.
During the evening, Sayuri attempts to tell a childhood story about crying by a stream, hoping to create a connection with the Chairman. However, he appears distracted and uninterested, prompting her to abandon the story. As the night progresses, Pumpkin becomes heavily intoxicated and needs assistance to return home. Minister Sato remarks that the evening has been enjoyable.
Sayuri continues to entertain Minister Sato, allowing her to spend more time with the Chairman. She finds his contemplative frown captivating, as it signifies his deep thoughts. When she has the opportunity to dance for him at the teahouse, she infuses the performance with intense emotion by imagining she is dancing for Nobu. She also thinks of her sister Satsu, which overwhelms her with grief. Surprisingly, she notices the Chairman's eyes appear teary, and he excuses himself, claiming to feel unwell.
Though it would be sensible to give up on her dreams of the Chairman, Sayuri observes that post-war Japan is filled with hope for a brighter future. She reasons that if the country can rebuild from devastation, perhaps her personal dreams can come true as well.
In June, Sayuri is once again summoned to the teahouse, where she encounters Nobu and Sato. Sensing a strained atmosphere, she inquires about the situation after the Minister departs. Nobu explains that the Minister expressed interest in becoming her danna and, given Sato's contributions to Iwamura Electric, Nobu felt compelled to support the bid. However, the Minister could not afford the pursuit and instead proposed spending a night with Sayuri. Nobu became angry and assured Sayuri that he would not make such a request on the Minister's behalf.
Still in a foul mood, Nobu asks Sayuri how she would respond if he were to propose on the Minister's behalf. She acknowledges the weight of Nobu's support and admits that she would not easily turn down such anoffer. Infuriated, Nobu suggests that she should leave if she is willing to do such a thing. Recognizing his intense anger, Sayuri assures him that she would never agree to such a proposal.
Nobu then tells Sayuri that it is time to present the piece of rubble he had previously given her. He admits that he cannot afford to replace it with a jewel but implies that new possibilities have emerged. In essence, he intends to declare himself as her danna.
Sayuri struggles to stop thinking about the Chairman in the following weeks, despite her anticipation of Nobu's impending announcement. In
late June, she reads a newspaper article revealing that Iwamura Electric has secured financing from Mitsubishi Bank, indicating that Nobu's declaration is near. Mother informs Sayuri that she has received a phone call from Iwamura Electric, requesting Sayuri's presence, along with Mameha and Pumpkin, for a trip to the island of Amami.
On the plane journey to Amami, Sayuri feels nervous about the potential future with Nobu and realizes that he doesn't truly understand her. She reflects on how he might have reacted if he had been the one to find her crying by the stream as a child, speculating that he would have ignored her. She yearns for the Chairman instead.
During the flight, Sayuri notices the symbols of American warplanes on the propeller, finding it peculiar how Japan and America, once bitter enemies, have now reconciled. She acknowledges that she has moved on from her past but cannot let go of her hopes for the future.
Unable to accept a future with Nobu, Sayuri contemplates a plan to deter him: offering herself to the Minister. Though she dislikes the idea of hurting Nobu, she feels desperate. Sayuri formulates the details of her plan, which involve Nobu catching her with the Minister during a rendezvous.
Upon arriving at the island, the guests, including Sayuri, enjoy bathing together in the hot springs at the inn where they are staying. Sayuri explains that such activities are not seen as inappropriate for geisha, though she acknowledges the potential for misconduct.
When Sayuri witnesses the extent of Nobu's scarring, she feels guilty about her plan, knowing he will attribute her actions to his appearance.
Later, while walking with Nobu, Sayuri confirms her belief that he doesn't truly understand her. His comments about this being the farthest she has ever been from home, referring to Kyoto, indicate his lackof understanding that Kyoto is not her true home. Resolute in her decision, Sayuri decides to proceed with her plan.
Sayuri enlists Pumpkin's help, providing her with instructions without revealing all the details. Pumpkin expresses resentment but agrees to carry out the task.
Sayuri leads the Minister to a wooden building and suggests they enjoy a one-time encounter, as he cannot be her danna. Despite being reminded of her mizuage, she fights her instinct to push him away by imagining Nobu as her danna.
As Sayuri and the Minister are together, they hear a noise from outside - the arrival of Pumpkin and the Chairman.
Sayuri feels dazed by the unexpected turn of events and finds herself back at the inn without a clear recollection of what transpired. She later learns that she claimed to feel unwell, and the inn proprietor summoned Mameha, who seemed to accept Sayuri's explanation.
When Sayuri sees Pumpkin, she expects an apology but instead encounters venomous resentment. Pumpkin reveals that she has resented Sayuri since Mother chose her as the adopted daughter instead of Pumpkin. Pumpkin deliberately deviated from the plan as an act of betrayal, aware of Sayuri's feelings for the Chairman.
That evening, overwhelmed with emotions, Sayuri wanders onto nearby cliffs. She contemplates letting the wind carry away the Chairman's handkerchief but cannot bring herself to abandon it, as it serves as a memento even if she can never be with him.
After three days back in Gion, Sayuri receives a message requesting her presence at the Ichiriki teahouse, as Iwamura Electric has requested her presence. Expecting Nobu to announce himself as her danna, Sayuri reflects on Mameha's previous statement about becoming a geisha out of necessity rather than choice. She also ponders what her life would have been like if her mother had lived and whether she would be leading a different life as a wife and mother in Yoroido, regarding Kyoto as a distant place.
At the teahouse, Sayuri is surprised when the Chairman touches her shoulder and reveals that Nobu will not be joining them. He presents a scroll featuring scenes of the Imperial court, pointing to a woman with blue-gray eyes, explaining that this woman is the reason he bought the scroll.
The Chairman assures Sayuri that he is not seeking an apology and begins recounting a story about a young girl he once encountered on his way to the theater. Sayuri reveals the handkerchief shehas kept, expressing her years of wondering if he recognized her. He is shocked, admitting that he also wondered if she recognized him.
The Chairman discloses that he asked Mameha to mentor Sayuri,
realizing that her vendetta against Hatsumomo wasn't the sole motivation. Sayuri expresses her wish that the Chairman had revealed this information earlier, but he explains his loyalty to Nobu and his awareness of Nobu's suffering throughout his life. Observing Nobu's affection for Sayuri, the Chairman chose to conceal his own feelings while remaining concerned for Sayuri's well-being.
After learning about Sayuri's plan with the Minister on Amami, the Chairman confronted Pumpkin, who confessed to his inquiries. The Chairman asks Sayuri about her motivations, and she admits that her actions were driven by her feelings for him.
In a surprising turn, the Chairman kisses Sayuri, and she finds this to be a more intimate experience than anything she has known before. She is taken aback since the Chairman had spoken of his loyalty to Nobu. He explains that he saw a desperate look in Sayuri's eyes when he discovered her with the Minister, the same look that struck him when they first met. He felt compelled to rescue her and informed Nobu about what he witnessed, leading Nobu to let her go. The Chairman concludes that if Nobu couldn't forgive Sayuri for her actions, it was clear that he was never truly her destiny.
Forty years have passed since the evening with the Chairman that marked the beginning of a new chapter in Sayuri's life. Initially, in her innocence, she believed that being the Chairman's mistress would bring her a perfect life. However, the envy and complications arising from the Chairman's position as her danna led to concerns about his friendships and the need to protect her. As a result, it was deemed unwise for Sayuri to remain in Gion. The Chairman arranged a financial arrangement with Mother, allowing Sayuri to leave her career as a geisha.
While Sayuri had become a geisha solely to win the Chairman's affections, she formed deep friendships during those years. She still feels a twinge of envy when recalling the sense of promise and excitement associated with being a geisha. However, she notes that the number of geisha in Gion has significantly decreased over the years. Her former okiya was demolished after Mother's passing a few years ago.
When Sayuri accompanied the Chairman on a tripto the United States,
she experienced true prosperity for the first time. This newfound realization instilled in her the belief that anything is possible. As the Chairman spent more time in the United States, Sayuri established her home in New York with their secret son and opened a teahouse.
Contrary to her belief that passion fades with age, Sayuri's relationship with the Chairman remained strong. She had feared that she would crumble when he passed away, but upon his death, she understood that his departure was natural, akin to leaves falling from trees.
Having narrated her life story, Sayuri reflects on the feeling of reliving her life. She recalls feeling displaced when Mr. Tanaka first separated her from her family, but over time, she has come to accept the impermanence of life and how struggles and triumphs blur together. She does not have a definitive answer about what guides human beings in life but recognizes that she was drawn to the Chairman just as a stone naturally falls toward the earth.